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The inclusion of pop music montages - in one scene, surreally accompanying Nazi headshots - detracts, as well. “Babies murdered, women and girls ravished by the Hitlerite beasts,” she uttered at one point in real life.
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There’s no attempt to depict the harshness of the German invasion of Ukraine, which Pavlichenko vividly described in her own speeches and must have motivated her deeply. The pacing of the two plot threads is uneven and the exposition patchy. The script’s attempts to clearly sketch out its dilemmas, both political and gender-related, result in awkward, unnatural dialogue, worsened by the lack of native English-speaking actors in the American scenes. Other problems abound in Battle for Sevastopol. The film implies that she’s more attracted to the violence of the latter two, but despite the tired love-triangle formula trotted out not once but twice, all of them display genuine care for each other - and Pavlichenko is unapologetic in pursuing her own happiness in these relationships. Sevastopol depicts her relationships with three men - the pacifist doctor, who serves with her in the Sevastopol battle zone, her combat mentor and finally her spotter and close partner, Leonid Kutsenko. Unfortunately, Pavlichenko’s romantic life ends up driving the narrative far more than her exploits in the field. It’s a Myth That Germany Wiped Out the Polish Air Force in Three Days in 1939 The film goes on switching back and forth between her career as a sniper in the battles of Odessa and Sevastopol, and her growing friendship with Roosevelt as she struggles with presenting herself to the American media. In reality, she married him and even had a child with him before the war. When World War II breaks out, Pavlichenko enlists immediately, abandoning an engagement to a kind but awkward young doctor. Despite having never fired a gun before, she proves to be such a natural shot that she is assigned to a special shooting school. In the oddly bourgeois pre-war scenes, actress Yuliya Peresild does a great job of depicting Pavlichenko as a tomboy and an over-achieving straight-A student - a girl who would rather challenge her fellow male students to a competition at the shooting range than flirt with them at the cinema.